Control · Fall 2026Page 85 of 100.THE REVIEW
An office building at night with several brightly lit floors behind a glass facade.
Lit office floors seen through a glass facade after dark. Wynn-Williams’s memoir is sharpest as a comedy of access, describing the people who work late in rooms like these.The photograph is by Angelyn Sanjorjo on Pexels.

Review

The insider’s memoir is better as comedy than as confession.

Sarah Wynn-Williams’s Careless People, a memoir of six years inside Facebook, is funny, alarming and less self-examining than it needs to be.

Written by CONTROL

This article runs 448 words and takes about two minutes to read.

7out of 10
Book
Careless People
By
Sarah Wynn-Williams
From
Flatiron Books, 2025

The best publicity Careless People received came from the company it describes. Flatiron Books published Sarah Wynn-Williams’s memoir on March 11, 2025, and within days Meta won an emergency arbitration ruling barring her from promoting it or saying disparaging things about the company. The book went to No. 1 on the New York Times list anyway, and in April she testified before the Senate Judiciary Committee. Meta has disputed her account and says she was fired for poor performance.

Wynn-Williams, a New Zealander who had worked at the United Nations, talked her way into Facebook in 2011 by pitching a policy job that did not yet exist, and she stayed until 2017 as a director of global public policy. The title comes from The Great Gatsby, and the borrowing is apt. Her subject is a small group of very rich people who break things and leave others to clean up.

Several tall office towers with many lit windows crowd together at night.
Towers of lit windows stacked against the night. The book’s subject is a small group of very rich people who break things and leave others to clean up.The photograph is by Chris Duan on Pexels.
The facade of an office building with rows of windows, some of them lit from inside.
A grid of office windows, some lit and some dark, at dusk. Careless People is funny about corporate life and less curious than it should be about its author’s part in it.The photograph is by Mathias Reding on Pexels.

A comedy of access

The book works first as social comedy. Wynn-Williams has a sharp eye for the absurdities of power: a visiting prime minister of her own country whom Mark Zuckerberg flatly did not want to meet, and a company culture in which loyalty to the founder outranks every other value. She is a good storyteller, and the anecdotes land with the timing of someone who has told them at dinner.

The serious material is more serious. She describes Facebook’s efforts to build tools that would satisfy Chinese censors in exchange for access to that market, and she writes about the company’s failure to respond to hate speech in Myanmar before the violence against the Rohingya. She also makes allegations about the personal conduct of senior executives, which Meta disputes. Some of this had been reported before, but it has not been told from this close, and the accumulation is damning.

What the book lacks is an honest reckoning with its narrator. Wynn-Williams presents herself as the idealist in the room, yet she stayed for six years, helped the company grow its political reach and left only when she was fired in 2017. She acknowledges her complicity, but she does not examine it with the rigor she applies to her former bosses. A reader comes away knowing a great deal about how careless those people were and rather less about why a thoughtful person served them so long.

That missing chapter is the one that would matter most to readers who work inside large institutions and wonder what their own silence is buying.

The verdict: Read it for the view from the room and the dry wit. Read it also with the knowledge that every insider memoir is a defense brief as well as an exposé.